A cut and paste from yesterday's blog post here.
IS On or Off?
Despite the fact that the requested information is on Page 2 of The Art of Bird Photography II, I often receive e-mails that go something like this: “I heard on line that you should turn IS off when you are working on a tripod with a big lens. Is that true?”
Here, adapted from what I wrote on page 2 of ABP II, is what I have to say on the matter:
The current super-telephoto lenses lenses (the 300 & 400 f/2.8L IS and the 500 & 600 f/4L IS) feature a tripod-sensing IS system that eliminates the vibration
caused by both equipment shake and by mirror slap. Despite contradictory statements both on line and in many editions of the lens instructions, the IS switch on these lenses should be set at the “On” position at ll times, even when the lens is mounted on a tripod. (The same will be true when the Series II lenses are released.)
The next e-mail usually says, “OK. I believe you. I will keep IS on with my big lens on a tripod. Should I be in IS Mode 1 or IS Mode 2?”
To this I again reply with info adapted from Page 2 of ABP II.
With the four current super-telephotos it is best to set IS Mode 2 for all applications. Why? Because with these lenses IS Mode 2 performs exactly the same as IS Mode 1 when the lens is mounted on a tripod.
With all of the intermediate telephoto IS lenses (including but not limited to all of the 70-200mm IS lenses, the 300 f/4, and the 100-400mm) it is advised by the manufacturer (and just about everyone else) that IS be turned off when using lenses in this class on a tripod. When I do use these lenses on a tripod, I always leave IS on (set to Mode 2). Why do I disregard the manufacturer’s advise? In all the years I have been working with intermediate telephoto lenses with IS Mode 2 on, I have had only a single frame (film actually) that was affected by the IS system. The lens elements shifted during the exposure. The result was a very pleasingly blurred image. Having to remember to turn IS off and then on again while hand holding is far too great a price to pay for me. I believe that simpler is better.
More On Image Stabilization
Whether on a tripod or hand holding, Image Stabilization will help photographers using sloppy sharpness techniques to make sharper images but those photographers employing excellent sharpness techniques will be able to push the envelope much further than their sloppy, careless counterparts. (See Advanced Sharpness Techniques in Chapter VI of ABP II.
Item last. When working with the intermediate telephoto lenses and zoom lenses like those mentioned above it is recommended that IS Mode 1 should be set when photographing static subjects and that IS Mode 2 be set when panning with moving subjects. I sometimes remember to do this when hand holding but for the most part I simply set IS Mode2 and let it fly (as in the featured image here).
Nikon folks are invited to let us know how they utilize VR.
IS On or Off?
Despite the fact that the requested information is on Page 2 of The Art of Bird Photography II, I often receive e-mails that go something like this: “I heard on line that you should turn IS off when you are working on a tripod with a big lens. Is that true?”
Here, adapted from what I wrote on page 2 of ABP II, is what I have to say on the matter:
The current super-telephoto lenses lenses (the 300 & 400 f/2.8L IS and the 500 & 600 f/4L IS) feature a tripod-sensing IS system that eliminates the vibration
caused by both equipment shake and by mirror slap. Despite contradictory statements both on line and in many editions of the lens instructions, the IS switch on these lenses should be set at the “On” position at ll times, even when the lens is mounted on a tripod. (The same will be true when the Series II lenses are released.)
The next e-mail usually says, “OK. I believe you. I will keep IS on with my big lens on a tripod. Should I be in IS Mode 1 or IS Mode 2?”
To this I again reply with info adapted from Page 2 of ABP II.
With the four current super-telephotos it is best to set IS Mode 2 for all applications. Why? Because with these lenses IS Mode 2 performs exactly the same as IS Mode 1 when the lens is mounted on a tripod.
With all of the intermediate telephoto IS lenses (including but not limited to all of the 70-200mm IS lenses, the 300 f/4, and the 100-400mm) it is advised by the manufacturer (and just about everyone else) that IS be turned off when using lenses in this class on a tripod. When I do use these lenses on a tripod, I always leave IS on (set to Mode 2). Why do I disregard the manufacturer’s advise? In all the years I have been working with intermediate telephoto lenses with IS Mode 2 on, I have had only a single frame (film actually) that was affected by the IS system. The lens elements shifted during the exposure. The result was a very pleasingly blurred image. Having to remember to turn IS off and then on again while hand holding is far too great a price to pay for me. I believe that simpler is better.
More On Image Stabilization
Whether on a tripod or hand holding, Image Stabilization will help photographers using sloppy sharpness techniques to make sharper images but those photographers employing excellent sharpness techniques will be able to push the envelope much further than their sloppy, careless counterparts. (See Advanced Sharpness Techniques in Chapter VI of ABP II.
Item last. When working with the intermediate telephoto lenses and zoom lenses like those mentioned above it is recommended that IS Mode 1 should be set when photographing static subjects and that IS Mode 2 be set when panning with moving subjects. I sometimes remember to do this when hand holding but for the most part I simply set IS Mode2 and let it fly (as in the featured image here).
Nikon folks are invited to let us know how they utilize VR.