Jim Keener
BPN Member
I have a favorite spot now at the Bernardo Wildlife Area. It's on the southwest corner of a cornfield. Unlike some of the spots at the Bosque del Apache where photographers can get relatively close to the birds, at Bernardo the cranes are further away. I need longer reach there. So I set up a 500mm f/4 with the 2X tele extender and the 1DX. I got to Bernardo in the early afternoon, and with the sun at a fairly low angle in this season, I could make some interesting photographs even then. With several thousand birds in front of me, there were constantly available images to capture. The primary limitations were my imagination and skill, plus the limits of the lens. I was in a high emotional state the whole time I was there. I'll be back.
This is a common style of photograph of a Sandhill Crane in flight. The reason I'm presenting it is the light on the wings, the clarity of the head, and prominence of the red crown. I think the artifacts on the near wing primaries are on the bird, not introduced by the camera or processing. What do you think?
ORIGINAL
Canon 1DX, 500/4, 2X TE
1/2000, f/8, ISO 250
LR: + highlights, shadows, vibrance, and clarity - whites, blacks, +saturation red and blue
PS: smart sharpen
I'm eager to know your C&C.
This is a common style of photograph of a Sandhill Crane in flight. The reason I'm presenting it is the light on the wings, the clarity of the head, and prominence of the red crown. I think the artifacts on the near wing primaries are on the bird, not introduced by the camera or processing. What do you think?
- Canon EOS-1D X
- EF500mm f/4L IS USM +2x III
- ƒ/8
- 1000mm
- 1/2000s
- ISO 250
- James Keener rs
- Flash not fired
- Thu, 14 January 2016 12:50 AM
- Copyright 2015. All rights reserved.
- Adobe Photoshop Lightroom 6.3 (Macintosh)
ORIGINAL
Canon 1DX, 500/4, 2X TE
1/2000, f/8, ISO 250
LR: + highlights, shadows, vibrance, and clarity - whites, blacks, +saturation red and blue
PS: smart sharpen
I'm eager to know your C&C.